The South Face of the Mountain

Powerful and inspired computer art requires a melding of the aesthetic and engineering sensibilities in the same person

by John Maeda /  July 1, 1998 

for Technology Review

In Japan, a miyadaiku (a carpenter trained in the ancient art of Japanese temple carpentry) attains special status from the Emperor if the temple he builds stands for more than a thousand years. “Such temples,” said one of the last miyadaiku, the late Tsunekazu Nishioka, “stand not because of the magnificence of their design, but because the miyadaiku goes to the mountain, and selects trees from the south face of the mountain to be used for the south face of the temple, trees from the west face of the mountain for the west face of the temple, and so on for the other two sides.” Because the building materials are carefully selected in order to respect the laws of nature, the temple can coexist in harmony with nature. Both the extrinsic and intrinsic qualities of the temple radiate its overall strength and beauty.

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