Your Life In 2020

Written in 2010 when asked by Forbes about what 2020 might be like …


The future of “ubiquitous computing” has been heralded for decades. It sounds grandiose–computing, everywhere!–but ironically, a future of ubiquitous computing is one where computers actually go unnoticed. That’s 2020. It is when Nicholas Negroponte’s assertion in 1995 of “being digital” switches to “been digital” because we will have been there and done that. Kids who have grown up stealing free views of recent movie releases online or regularly chatting with a friend in Bangalore or Atlanta will be working adults in a world where the notion of “work” has changed because of digital technology. But it’s no longer “technology” in 2020 anymore–it’s just how we get things done.

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Why Business Leaders Should Act More like Artists

Perhaps the reason why artists collaborate and socialize so well is that they learn in the studio model

by John Maeda / December 1, 2009 

for HBS

Stereotypes abound about artists: they range from the mild (“they have fuschia-colored hair”), to the absurd (“they starve,”), to the disturbed (“they do things like uncontrollably peeing in the fireplace as depicted in the popular movie Pollock.”). Granted I know artists with wild-colored hair and others who are certainly struggling to make ends meet, but they all choose to use the restroom. I’ve also met artists who are quite plain-looking and plain-acting CEOs, lawyers, stockbrokers, and scientists.

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The South Face of the Mountain

Powerful and inspired computer art requires a melding of the aesthetic and engineering sensibilities in the same person

by John Maeda /  July 1, 1998 

for Technology Review

In Japan, a miyadaiku (a carpenter trained in the ancient art of Japanese temple carpentry) attains special status from the Emperor if the temple he builds stands for more than a thousand years. “Such temples,” said one of the last miyadaiku, the late Tsunekazu Nishioka, “stand not because of the magnificence of their design, but because the miyadaiku goes to the mountain, and selects trees from the south face of the mountain to be used for the south face of the temple, trees from the west face of the mountain for the west face of the temple, and so on for the other two sides.” Because the building materials are carefully selected in order to respect the laws of nature, the temple can coexist in harmony with nature. Both the extrinsic and intrinsic qualities of the temple radiate its overall strength and beauty.

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